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The Washington
Bicentennials of 1932
Large Rotary Press · Perf 11 x 10½ · 400 Subject Plates · First Day:
January 1, 1932
in Washington, D.C. |
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From
the DeMare Engraving (1855) based on
Peale's Miniature (1777)
87,969,700 Issued |
From the Jean
Antoine
Houdon Bust (1785)
1,265,555,100 Issued |
From the
Charles W. Peale painting "Virginia
Colonel" (1772)
304,926,800 Issued |
From the Gilbert Stuart
"Atheneum" Portrait (1796)
4,222,198,300 Issued |
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From the
Charles W. Peale painting
Washington at Valley Forge (1777)
456,198,500 Issued |
From the
Charles Wilson Peale
painting (1777)
151,201,300 Issued |
From the
Charles Wilson Peale
painting (1795)
170,565,100 Issued |
From the John
Trumbull
painting (1792)
111,739,400 Issued |
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From the John
Trumbull
painting (1780)
83,257,400 Issued |
From the 1798 crayon drawing by Charles B. J. F. Saint Memin
96,506,100 Issued |
from the
Williams'
Masonic Portrait (1794)
75,709,200 Issued |
Gibbs-Channing
Vaughan Type Portrait by Stuart (1795).
147,216,000 Issued |
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The Washington Bicentennial Issue of 1932
The year 1932 marked the 200th
anniversary of the birth of George Washington. A wide
variety of events celebrating this bicentennial was
planned throughout the nation and the Post Office planned
a series of stamps to commemorate the anniversary as well.
Early ideas had the series being a set of bi-colored large
frame pictorial stamps including among other things,
Washington's home at Mt. Vernon, the crossing of the
Delaware, Washington at Valley Forge, George and Martha
Washington, Washington on horseback, the U.S. Capitol,
Washington's tomb, the Wakefield, Virginia homestead where
Washington was born, the inauguration of Washington, Washington
resigning his commission and the Washington monument. This
may have led to a very attractive set of commemoratives
had the concept of using various portraits of Washington
not won out.
In another early proposal, the Postmaster suggested an
issue of as many as eighteen stamps through the $5 value,
most likely to replace the Series of 1922 designs.
Congress even got into the act with a bill proposing that
all postage stamps issued in the United States and its
possessions for the entire year of 1932 would bear the
portrait of Washington. The bill never passed.
Ultimately the stamps were issued in single colors in the
same size as the regular issues, most certainly as a
cost-cutting measure, after all 1932 was in the heart of
the Great Depression.
It was no accident that the two cent stamp bears the
popular Gilbert Stuart portrait, the same portrait,
although reversed, as the one that appears on the one
dollar bill. The two cent was the most common stamp, being
the rate for the first class letter. Later that year, when
the rate was raised
to three cents, the same Stuart design was used on
the new three cent stamp to pay the single letter rate.
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