|
SET XIII
- The Shanghai Overprints with
Surcharge · 1919-1922
A Brief History Before We Begin
From 1839 to1842 Great
Britain and China engaged in a series of skirmishes over the
right to sell opium grown in the British colony of India. Britain
had developed something of a trade imbalance with China due to
the Brit's unquenchable thirst for Chinese tea. The British
viewed opium as medicinal, while many Chinese officials viewed
it as a dangerous drug. In the end, Britain’s superior
naval power and technology prevailed; the aftermath of these "Opium Wars" was a treaty
favorable to Great Britain, assigning parcels of five port
cities as British enclaves, most notable among these Hong Kong
and Shanghai. Other countries requested and were granted
somewhat
similar arrangements. In 1861 the U.S. was granted the right
to build a Consulate at the down-river edge of the city,
meaning any boats entering Shanghai from inland China need
first pass the settlement that grew up around this
"American Concession", greatly increasing America's
presence in China.
The American Concession, as did each of the foreign
concessions, maintained a sovereign identity including its own
army, police force and post office. Established in 1867 at the
U.S. Consulate, and run by the American Consul General
himself, the postal agency in Shanghai countered the high cost
of sending mail through the foreign postal agencies. The
cost of sending a letter to San Francisco via British, French
or German mails ranged from 30¢ to 72¢, while U.S. domestic
rates were only 3¢ for the first half-ounce. In 1869, after
the trans-continental railroad was completed, mail could be
shipped much more quickly from China to Europe by crossing the
U.S. by rail than by sea routes; there was no Panama Canal at
this time. Time-sensitive documents from many nations found
their way to the U.S. mails making Shanghai America's busiest
foreign office. In fact, mail from Japan and other Asian ports
often made its way to Shanghai before being sent on its way to
San Francisco. By 1907, the volume of mail had outgrown the
American Consulate and an independent post office was
established with John Darrah as Postal Agent.
The First Overprints - Local Pre-Cancels
It may come as a surprise to some, but the
Shanghai surcharged overprints were not the first Shanghai
overprints. All
of the other foreign post offices in Shanghai added an
identifying overprint to their postage stamps. In fact the
U.S. had previously added identifying overprints to the first
and second bureau issues at the turn of the century in Cuba,
the Philippines and Puerto Rico. Postal Agent Darrah was quite
zealous in his efforts to get the U.S. to conform and to place
these identifying overprints on the U.S. stamps sold in
Shanghai.
The following excerpt appeared in Sloane’s
Column and is deemed reliable:
"Spencer Anderson, New York, recently showed
me a set of 27 unused U. S. stamps, each of which was
overprinted, in two lines, in black, by a handstamp as
follows:
S'HAI, CHINA
A notation accompanied the stamps, ‘Issued by U.
S. Consul General at Shanghai in 1912. Withdrawn some
three months later when news of the issue reached
Washington."
Sloane does not mention whether Darrah
had a hand in the overprinting of these items, but it is
documented that well before 1913 Darrah had petitioned
Washington to approve identifying overprints on U.S.
postage to conform with the other postal agencies in Shanghai.
In 1913 Darrah finally mustered the courage to challenge
Washington’s authority and sold sheets of each stamp to
confederates who then had them overprinted at the French
Newspaper office. The stamp at the left is one of these
stamps, an overprint on a perf 12, double-line watermarked
stamp, Scott 422, courtesy of Robert
A. Siegel Auction Galleries, Sale 833, December
2000.
This generated some excitement among collectors who
thought a new overprint had been issued. When news of the
unauthorized overprint reached Washington, Darrah was
reprimanded and told not to sell the overprints at the
Postal Agency. It is not clear whether Darrah had second
thoughts about the overprints or whether it was orders
from Washington, but a statement was issued that the
stamps were to be considered local pre-cancels, and are so
classified by Scott. One could easily surmise that the
friction between the head-strong Darrah and postal
officials in Washington stymied any further attempts to
add overprints to the Shanghai Agency stamps.
The Shanghai, China Overprints with
Surcharge
It wasn’t until two years after
Darrah had left the agency that the matter was taken up
again, but for reasons other than the conformity
Darrah had sought. At the time, the U.S. Dollar was worth
about twice the value of the standard currency of the time
in Shanghai, the Maria Theresa Thaler silver dollar. The
Shanghai agency would accept payment in U.S. currency
only, making it difficult for non-American patrons. By
placing a surcharge on a portion of its stamps, the U.S.
Post Office in Shanghai could still offer the non-surcharged stamps at face
value when payment was made in dollars and at the same time offer surcharged stamps, collecting double
the face value when payment was made in thalers. By May of
1919, the Bureau of Engraving
and Printing had printed the overprints on some of the normal
stamps of the day, the perf 11
un-watermarked Scott 498 through 518, and shipped
the overprinted stamps to Shanghai. The overprints were
not issued publicly until the beginning of the 1920 fiscal
year, July 1, 1919.
The following values were issued: 1¢, 2¢, 3¢, 4¢, 5¢, 6¢, 7¢, 8¢, 9¢,
10¢, 12¢, 15¢, 20¢, 30¢, 50¢, and $1, all
over-printed with a surcharge that doubled the amount. All
stamps were sold in Shanghai, China only
and were not available in U.S. post offices or at the U.S.
Philatelic Agency, explaining the
low production numbers.
The surcharges were printed in black ink on all stamps
other than the 7¢ and $1, since black showed well
against all of the lighter i nks, but poorly against the black
of the 7¢ and the dark violet brown of the $1
stamp. The 7¢ and $1 were overprinted with red ink.
The surcharge concept was fine in principle, but since the
Theresa Thaler fluctuated in value as compared to the U.S.
dollar, a window of opportunity opened for speculators who
purchased the overprints with the devalued thaler and
subsequently resold the stamps for the stronger dollar.
For this reason the overprinted stamps were removed from
sale when the value of the Theresa Thaler was less than
half the value of the U.S. dollar, at one point for nearly
a year, from October 1920 to October 1921, nearly a third
of the short life of the overprints.
The "Cts." Overprints - K17
and K18
In 1922 the supply of 1¢ and 2¢ stamps
was running short and to meet demand the Shanghai Postal
Agency printed their own surcharge on some of the existing
non-surcharged stock. These stamps, listed in Scott as K17
and K18 respectively, were placed on sale July 3rd, 1922.
The surcharge read "1 Cts." and "2
Cts." rather than "1¢" and "2¢".
Additionally, the 2 cent surcharge, K18, was printed on the
offset issue
Type VII stamp, Scott 528B, rather than the flat
plate Scott 499 of the earlier overprint, K2.
The newly surcharged 1 and 2 cent stamps were to be on
sale for less than six months, something the postal agent
was well aware of when the overprints were made. In
February of 1922, at the Washington Conference on
Limitation of Armament, in a gesture of good will
toward China, a resolution was adopted calling for the
closure of the Postal Agency in Shanghai, China no later
than the end of that year. In compliance, the agency
closed its doors on December 31, 1922. The remaining stock
of both surcharged and non-surcharged stamps was returned
to the Philatelic Agency in Washington and was sold to
collectors until the supply ran out.
Used is Rarer Than New
It is interesting to note that postally
used examples of the Shanghai overprints bring a premium
over their unused counterparts, particularly on cover and
for non-philatelic usage. Of course the usage must be
contemporaneous, that is from 1919-1922. The premium the
used copies bring over their unused counterparts simply
does not reflect the relative rarity of the used examples.
It has been estimated that the number of unused examples
on average is nearly twenty times the number of known used
examples.
Amazingly Rare - Amazingly Cheap
To this author, it is simply amazing
that this philatelically important issue may be purchased
at such reasonable cost when one looks
at the quantities issued and the limited time frame the
overprints were actually sold on U.S. soil.
According to Armstrong,
production figures of the Bureau and Engraving show that
only 4003 of the 50¢ and $1 stamps, only 8003
of the 12¢ through 30¢ stamps, and only 13003
of the 3¢ through 10¢ stamps were issued. Even the
1¢ and 2¢ stamps were issued in quantities of only 105,003
and this presumably includes the latter overprints Scott
K17 and K18. Compare these numbers with production figures
for the $5 Columbian (27,350) and the $2 Trans-Mississippi
(56,200) and it is easy to see the rarity of the
Shanghai overprints. The 2000 Scott U.S. Specialized
Catalogue lists the $5 Columbian in NH condition at
$7,500.00 while the 3¢ Shanghai overprint, of which only
half as many were produced, is listed at a mere $80.00 in
never hinged condition!
More Overprints Printed to Meet
Collector Demand
The reasons for this disparity are many, not the
least of which that Scott has deemed to put this important
issue in a relatively obscure back of the book section
under the heading "K". Had Scott given the
Shanghai stamps the same importance as the Kansas Nebraska
overprints with a position in the front of the book, the overprints
would skyrocket in value.
It may also be true that the figures quoted by Armstrong
are slightly misleading. After the Philatelic Agency
exhausted the supply of returned stamps, more overprints
were made to
meet collector demand. Armstrong does not make it clear if
the figures he obtained from the Bureau take the re-issued
overprints into account. But in any event the
Shanghai overprints are much scarcer than their price
suggests.
These stamps can usually be separated from their earlier
counterparts by color shade, and plate blocks can be
separated by the presence of a 5-digit number on the
re-issues rather then the 4-digit plate number on the
original overprints. Since the early runs were so small, it
may be assumed that the ink used in the production of each
denomination in May of 1919 was fairly consistent in
shade. When the new overprints were made three years later
to satisfy collector demand, it is again safe to assume that the
color of the inks did not exactly match the inks of 1919.
The author is unable to determine just how many copies of
each denomination were overprinted to satisfy collector
demand, but it most certainly is the case that collectors
of that era picked up far more of the lower denomination
stamps than of the higher denomination stamps, accounting
for some of the discrepancy in the rarity to value ratios
in the lower denominations.
Further reading:
United States Postal Agency,
Shanghai, China by Harvey Bounds - The Stamp
Specialist: Mahogany Book 1947 - pp. 50-59 - This article
contains illustrations of many of the Shanghai
cancellations.
Sloane's Column published by the
Bureau Issues Association - p.446
Robert A. Siegel Auction Galleries, Inc.
Sale 833 - p.233 December 14 and 15, 2000
Stamps of the Shanghai Postal Agency by Gary
Griffith - Stamp Collector February 2001
U.S. Stamps for Twice the Price? Why? by
Henry Stollnitz - Opinions I, published by the Philatelic
Foundation 1983 - pp.96-98
"Shanghai" Offices in China Overprints by
Martin A. Armstrong - Washington Franklins 1908-1921
published 1977 - pp.110-112
|