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The
nomenclature of plate position · Plate
Layout or Sheet Layout? · Sheet
or Pane?
Plating Early U.S. Stamps
· References
Position Nomenclature - Often a position will be stated with the plate number as well as
the plate position. For example, Scott 5 is also known as position 7R1E. "7R" refers to the stamp in the "7R"
position above, which is the seventeenth stamp from the left, while
the "1E" stands for "Plate One Early" (note that
there were an "early" and a "late" version of
Plate 1 of the 1851-1857 one cent stamp). Another famous position,
99R2, refers to the stamp in the 99R position on Plate 2, and is the
most desirable position for a Type III one cent stamp. Note that the
position of the stamp on the sheet is given first, followed by the
plate number.
"Plate Layout" or "Sheet
Layout" ? - The layout in the diagram above does not correspond to the layout on the original
plate, but rather to the layout of the sheet of stamps produced, which
is in fact the mirror image of the plate itself. Thus stamp 1L, the
top left stamp on the sheet of stamps is actually the top right stamp
on the plate. This is the convention; the plate layout numbering
system above refers to the layout of the stamps as they would have
appeared on the original sheet of printed stamps and not on the plate
itself.
"Sheet" or "Pane" ? -
The sheet above contains 200 stamps in two panes of 100 arranged in a
10x10 array. Although a block of 100 stamps is sometimes called a
"sheet", it is more appropriately referred to as a
"pane". This layout of 200 stamps was used for nearly
all of the "classic" U.S. stamps through 1890 with the
exception of the 1869s. In 1890, sheets of 400 stamps were produced
in four panes of 100 (see the 1902 400-subject
plate layout for an example of this), and this remained the predominant layout for
printing the regular issues for many decades. "Sheets" of
any of these stamps are unknown, since they were cut into panes before
being sent to the post offices.
Note that no two stamps on any
of these early sheets were entirely identical, since entering the
stamp design onto the plate was more of an art than a science. The
fact that no two stamps on any given sheet of stamps were identical would prove of
great importance to platers of early U.S. stamps, since full panes of
many of these stamps simply did not exist.
"Plating" Early U.S. Stamps -
Determining the characteristics of each stamp for each plate position
is known as "plating". This would be a difficult task even
if full left and right panes of all stamps were known, and for the
early U.S. stamps this was, and still is, far from the case. The main tool of the
plating detective was the study of multiples of the stamp,
particularly multiples with a large margin at one side. From the
diagram above it can clearly be seen that a wide margin narrowed the
possible positions considerably. For example, a large margin at the
right with no guideline meant the stamps must be from positions 10R,
20R, 30R ...100R. The location of a marginal imprint, if present, gave
the position immediately. Similarly, the presence of a guideline at
right meant the stamps must be from positions 10L, 20L, 30L ... 100L,
and so on. By comparing multiples of these position pieces, the
identifying characteristics of individual positions were determined.
Once identified, a position piece needed to be studied in great detail
to determine any unique identifying characteristics. The identifying
marks needed to be compared with other copies of the stamp from the
same position, if the unique marks were consistent for that position,
any stamp with similar identifying characteristic could be
plated.
This sounds fairly straightforward, but complicating
things was the fact that for many of these stamps more than one plate
was used. For example, the one cent stamp of 1851-1861 was printed
using a total of 12 plates, thirteen if you include the plate one
early and plate one late. Determining which stamp went where was like
trying to put together 13 jigsaw puzzles from thousands of puzzle
pieces. Although a few panes of the one cent stamp were known and the
men who did most of the difficult detective work eventually had access
to large multiples or high-resolution photographs of most of the pieces
needed to put the puzzles together, the work took many years to
complete. Today Stanley Ashbrook and Mortimer Neinken, along with Dr.
Carroll Chase who did similar work on the three cent stamp, are
regarded as three of the greatest American philatelists. We will be going into greater detail on the
plating work of these men and their stamps in the next few months.
There are two excellent web sites that discuss the
identifying characteristics for many of the plate positions. For the one
cent stamp of 1851, there is Richard Doporto's - The
1¢ Franklin Plating Archive and for the three cent stamp
of 1851, there is Steven Ruecker's - A
Plating of the 3¢ Stamp of 1851-56 .
If you are interested in a fairly complete plating of the one or three
cent stamps you might want to consider buying the book. Each
contains literally hundreds of diagrams and illustrations enabling
identification for each plate position. The Neinken book contains most
of the plating diagrams and illustrations of the Ashbrook books and,
in addition, has been revised and updated to add Neinken's work.
The United States One Cent Stamp of 1851-1857
by
Stanley B. Ashbrook 2 Vol.
U.S. One Cent Stamp of 1851-61
by Mortimer L.
Neinken
The 3¢ Stamp of the United States, 1851-1857
by
Dr. Carroll L. Chase
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